Posts Tagged ‘batman and robin’

What else is going on in the Batman universe in February?

Monday, November 16th, 2009

By Alex Segura

Well, a ton, dear Source reader. Too much to capably sum up in one blog post. It’s also way too early to give too much away. But, we can showcase some of the lovely artwork gracing the covers of the Bat-titles hitting in February, featuring the talents of Frank Quitely, Dustin Nguyen, Phil Noto and many more. So, take another bite of your lunch and look ‘em over.

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A few links of note for Tuesday: BATGIRL, GLC and more

Tuesday, November 10th, 2009

By Alex Segura

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Lots of fun stuff going on around the web, so let’s hop to it, shall we?

• The gang at MTV SPLASH PAGE have an interview with BATGIRL writer Bryan Q. Miller discussing the first few issues of the series, with preview pages from BATGIRL #4. Worth a read.

IGN previews pages from GREEN LANTERN CORPS #42. Stay tuned for more on that issue and #43 later today right here on The Source.

NEWSARAMA’s got their latest installment of 10 Questions Plus One Answer with our very own Dan DiDio, and Dan gives some interesting teases about what’s in store for some key characters in 2010.

• And, in case you missed it, culture and entertainment site POP MATTERS has a lengthy and engaging essay on writer Grant Morrison’s run on BATMAN AND ROBIN. Perfect lunch break reading material.

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Kick off the week with some pages from BATMAN AND ROBIN #6

Monday, November 9th, 2009

By Alex Segura

Grant Morrison and artist Philip Tan kick out the jams with the shocking conclusion fo “The Revenge of the Red Hood.” Gotham’s newest “protector” reveals his identity to Batman — and surprisingly poses a heart-stopping question to nim about the future of Bruce Wayne. And, can Robin escape the clutches of Scarlet? Unclear, folks. But we do have a few pages for you to scan before the issue hits.

BATMAN AND ROBIN #6 hits 11/11.

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Batman Group Editor Michael Marts is scared…

Thursday, November 5th, 2009

By Michael Marts

In the spirit of my favorite time of the year…here are a few things that scare me.

THE FLAMINGO. This guy has death and danger written all over him. He rides a motorcycle and rips people’s faces off for fun. Oh yeah, and to top it all off, he’s dressed head-to-toe in pink. What’s not to be afraid of? If Batman & Robin thought they had their hands full with Red Hood & Scarlet, well, they haven’t seen anything yet. Check out the Flamingo in all of his pink and face-ripping glory in BATMAN & ROBIN #6.

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TONY DANIEL. This guy scares me. True, he’s one of DC’s exclusive artists. He’s also one of my good friends. But he still scares me. Why? Because he’s a double-threat. Not only can he draw circles around anyone holding a pencil, but this guy can write, as well! In case you didn’t already know, Tony’s both writing and illustrating the current arc of BATMAN, which runs from #692-697. Will Tony reveal who’s under the Black Mask in this storyline? (Hint: I wouldn’t be teasing it, unless he was.)

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BLACK MASK. His true identity scares me. Stay tuned.

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WHITE GHOST. Sure, he has a name that sounds like a discounted Halloween costume, but this right-hand-man of Ra’s al Ghul is scary because he appears in not one, but two Batman titles this month–RED ROBIN #6 and AZRAEL #2

The PHILLIES don’t scare me.

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MARCUS TO. Have you seen this guy’s art? Incredi–I mean, scary. Marcus debuts as RED ROBIN’s new regular artist this month, and I can’t tell you how excited we are about this. We’ve seen several complete issues of art from Marcus already, and each one gets better and better! Welcome aboard, Marcus!

Till next time, Stay Scary.

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How about a look at Frank Quitely’s cover to BATMAN AND ROBIN #6?

Thursday, October 29th, 2009

By Alex Segura

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Who is this guy? What’s his deal? Well, fine. We’ll do a little legwork for you. We swung by Batman Group Editor Michael Marts’ office to get the skinny. So, what gives, Mike?

“If you think you’ve met Batman’s most dangerous, psychopathic, murderous foe…think again. Meet the ‘new crime’ in Gotham City—the FLAMINGO!”

Well, there you go!

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How about a look at Cameron Stewart’s final cover to BATMAN AND ROBIN #7?

Monday, October 19th, 2009

By Alex Segura

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Done and done.

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Who’s handling art on BATMAN AND ROBIN after Philip Tan?

Friday, September 11th, 2009

By Alex Segura

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None other than Cameron Stewart, of CATWOMAN and Vertigo’s SEAGUY fame. How’s that for some Friday morning news?

We’ll have more info and art on the news in the coming weeks, once I’ve returned from my brief work hiatus (hopefully more tan, but who are we kidding here?). For now, enjoy this cover to an upcoming issue by Mr. Stewart.

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Frank Quitely’s cover to BATMAN AND ROBIN #5

Thursday, August 20th, 2009

By Alex Segura

Need we say more?

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A few November Bat-covers to close out the day

Wednesday, August 12th, 2009

By Alex Segura

The day is winding down, and you’re looking for something on the web to help pass the time. How about some Philip Tan BATMAN AND ROBIN #6 art? Not enough? We’ll thrown in some Tony Daniel art for BATMAN #693 plus Jock’s take on AZRAEL #2?

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Grant Morrison talks to THE ONION AV CLUB

Wednesday, July 22nd, 2009

By Alex Segura

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Over at THE ONION AV CLUB, Leonard Pierce chats up BATMAN AND ROBIN writer Grant Morrison, kicking off their slate of SDCC coverage. Here’s an excerpt, but by all means, click and read the interview in its entirety. Pretty engaging stuff:

The A.V. Club: Given that you work largely in a medium where the fans are notoriously difficult to satisfy, how much consideration do you give your audience?

Grant Morrison: I don’t like to think of my readership as “fans,” a word which has always suggested a kind of power relationship I’m uncomfortable with. I do like to keep abreast of what the hardcore vocal members of the comics-reading audience are talking about on Internet message boards, but there are so few of them, as a percentage of the buying audience, that I can’t allow their opinions to dictate story direction. It’s always interesting to see what the real enthusiasts think, but they’re rarely representative of the tastes of the wider audience, so I tend to write for myself, for an imagined smart 14-year-old, and for a couple of friends who are still big comics fans. I’m a fan myself, so I try to write the kind of comics I want to read.

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